18 Royalty-Free Audio Tracks for "Slow Movement"

A synthetic whoosh sound that can be used for movement for a swing or slow motion effect.

Beethoven: Piano Concerto No. 4, slow movement

Beethoven Piano Concerto 4 slow movement, bars 47-55

Piano Concerto, K. 491, closing bars of the slow movement

Deep large, smooth and complex one shot movement in an electroacoustic style. Made of edited home recording.

3d printer printing initial layers - slow head movement, predominantly fan noise.

Piano Concerto 21, K467, slow movement, bars 83-93

A suit-bag being roughed up.

Classical guitar playing a rather mellow tune. Taken from the fourth movement of mussorgsky's "pictures at an exhibition. ".

Sound texture- big rubber-ball (semi depleted) twisted and moved slowly. Mj km-319-> tc sk48. Http://www. Reuven. Nl/?page_id=106.

Wooden creaking on some floor movement. Slow and faster. Best for horror scenes or ambient for a wooden ship.

Sounds of an active 3d printer. Print head movements fast, medium and slow. Print head fan is the primary background noise.

Slow and fast sounds of a hand rubbing against dirty concrete. Very rough, wet sounding hand movement. Processed to remove some background noise.

A short clip of a wooden door opening, first a high pitch creak, then a low pitch as it's movement slows. Recorded at close proximity with a sennheiser 416 microphone, to a sound devices 552, in a residential, fully attached house, with minimal noise and background but natural ambience and reflection, from a large (bed)room.

Passing locomotive class 1600 with freight cars amsterdam central station. Recorded using sony pcm10 with tascam st-1 external condenser microphone. Continuous movement of train through sheltered station after it initially slowed down and sped up after the locomotive was clear of the building. Some clipping of audio at midpoint.

Ou can hear the audible sounds of an airplane flying above my house going west towards the beach, the airplane getting closer and closer to my house then flying away aggressively. You can hear the graceful chirping of birds, sitting on the telephone line north of my house. You can hear the swift movement of the wind moving around and blowing on the leaves of the tree west of my house in the neighbor’s yard. You can hear the movement of me walking around back and forth in my yard listening to all the sounds trying to hear them clearly. You can hear a car drive down my street going east, the car was very heavy and going very slow.

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.